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What do you do after you’ve put on an acclaimed 24-hour-long show taking in the entire history of America through song? Well, if you’re Taylor Mac, one thing you can do is read all about the experience in a scholarly book.

Mr. Mac’s “24-Decade History of Popular Music,” performed last October at St. Ann’s Warehouse in Brooklyn, will be the subject of a newly announced collection of essays titled “Get Up and Play.” The show, billed as “a radical fairy realness ritual” that dedicated one hour to each decade of history between 1776 and 2016, already proved that the word “heteronormativity” has a beat you can dance to. The book, which does not yet have a publisher or official release date, pulls on the theoretical underpinnings a bit more directly, taking on topics like “queer histories as a mode of agency/radicalism” and the themes of “empathy, vulnerability or communitas,” according to a call for contributions.

“We’re going to try to keep the lyrical notion of the concert,” Sean F. Edgecomb, an assistant professor of performing and creative arts at the College of Staten Island, and one of the book’s editors, said in a telephone interview. “If I had to sum up our approach in one line, I’d say we want to honor Taylor’s idea of queerness, which he kept saying during the show was ‘the opposite of perfection.’”

In addition to critical essays, the book will feature annotated interviews with Mr. Mac and his collaborators, including his costume designer, Machine Dazzle; musical director, Matt Ray; and co-director, Niegel Smith. Mr. Edgecomb and his fellow editors, David Román and Dan Venning, are also soliciting smartphone shots, sketches and other documentation from audience members.

Mr. Edgecomb said his essay will be about the show’s final hour, which featured Mr. Mac — depleted, but upright — alone on his ukulele just like in his early days at the Slide, an old-school gay bar in the East Village.

“In the paper, I use Derrida, but I won’t get too theoretical now,” Mr. Edgecomb said. “One thing Taylor did in the show, in addition to go forward, was move backwards in time. In the end, it was like being back at the Slide.”

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