Description:PMLA is the journal of the Modern Language Association of America. Since 1884, PMLA has published members' essays judged to be of interest to scholars and teachers of language and literature. Four issues each year (January, March, May, and October) contain essays on language and literature; a Directory issue (September) lists all members and the names and addresses of department and program administrators; and the November issue presents the program for the association's annual convention. Each issue of PMLA is mailed to over 29,000 MLA members and to 2,900 libraries worldwide.
Coverage: 1889-2012 (Vol. 4 - Vol. 127, No. 5)
The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.
- Terms Related to the Moving Wall
- Fixed walls: Journals with no new volumes being added to the archive.
- Absorbed: Journals that are combined with another title.
- Complete: Journals that are no longer published or that have been combined with another title.
Subjects: Language & Literature, Humanities
Collections: Arts & Sciences III Collection, JSTOR Essential Collection, Language & Literature Collection
Charles Lamb as a Personal Essayist
1857 WordsDec 21st, 20128 Pages
CHARLES LAMB AS A PERSONAL ESSAYIST
Charles Lamb has been acclaimed by common consent as the Prince among English essayist. He occupies a unique position in the history of English essay. William Hazlitt, himself a great essayist, praised Lamb in high terms: “The prose essays, under the signature of Elia form the most delightful section amongst Lamb’s works. They traverse a peculiar field of observation, sequestered from general interest, and they are composed in a spirit too delicate and unobtrusive to catch the ear of the noisy crowd, clamouring for strong sensations. This retiring delicacy itself, the pensiveness chequered by gleams of the fanciful, and the humour that is touched with cross-lights of pathos, together with the picturesque…show more content…
For example, in Christ’s Hospital he tells about his days of childhood at the Temple, in Blakesmoor in Hertfordshire, he describes his boyish days of fun and merry making, his holiday trips to the sea-side with his sister Mary, his recovery from serious illness, the drudgery of the office work and other various details of his life. In My Relations, he gives full and living pictures of his relations—his brother John (James Elia) and his sister Mary (Bridget Elia). His father is the Lovel of the Old Benchers, his grandmother in Dream Children. In the words of H. G. Hill, “Apart from these biographical details revealed in his essays, the man himself is more than reflected in his work.” Lamb’s sweet and charming personality reflected in his essays is the secret of the popularity of Essays of Elia.
Humour in the essays of Lamb is the humour of life. It is most akin to pathos. We can say that it is saving grace for him, for after all it enables him to detach himself from the painful realities, or rather to view them as things apart from himself. Lamb